I didn’t have enough time at Red Hill. I need to go back and really spend some time there.

This is a 12 shot HDR Pano (36 photos) taken at the Salton Sea. I had to try running in Photoshop 4 different times to get the photo the way that I like it. I was getting a weird bow in the horizon line. I ended up having to straighten out all 12 photos in Lightroom, then loading to Photoshop. But I think the results were worth it. What do you think?

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I would think that if ever there was a time when doing a more artistic interpretation of a photograph made sense, thiswould be it. When better to convert to a painting, then when shooting a painter in his environment? Yet, I’ve never come to terms in my own mind with something like this. Is it appropriate to go over the top like this? What do you think? It would really help me out if you could comment (either on the site or on Twitter.)
Used Topaz Simplify, then Topaz Adjust.

I worked this shot for hours in the computer. Started out doing an HDR. I wasn’t quite happy with the results. Seemed to introduce too much noise in the photo. I tried using Dfine and DxO to remove the noise and it was still there. I thought that if a sharpened everything but the noise it would make it less visible. Finally gave up and just took the dark & light raw files into Photoshop as layers. Added a mask & used the gradient tool to show some of each layer. Oh, I did use Viveza 2 to brighten the tower.
